Out of Commission

Illustration by Kent St. John

"Out of Commission" Illustration by Kent St. John

Considering that Kyle and I might be “out of commission” for a week or so, I thought I’d just throw up a quick post. The image above was originally a sketch from one of my books.

There’s nothing worse than a neglected blog, but Kyle and I are doing our best to keep in contact, and let you know what’s going on. If you’ve check out the post previous to this one, you know that we’re busy preparing for The Unlimited Freedom Castle gallery debut. Just yesterday I sent out the official press release for the show. Check it out, and come see the show in August if you’re in the Portland area. The official opening is First Thursday, August 7th at ON Gallery.

THE UNLIMITED FREEDOM CASTLE: “WRITTEN BY / ILLUSTRATED BY” PRESS RELEASE:

On April fools days, 2008, the first collaborative post by Kyle Dickinson and Kent St. John went live on their blog, “The Unlimited Freedom Castle.” However, this wasn’t the beginning of any fooling around. A whole four months later, Kent and Kyle have gone on to create thirty five more wholesome posts, with a handful still waiting in the wings to be published.

The Unlimited Freedom Castle is just what it sounds like: a place where imagination reigns supreme. This blog is essentially a creative outlet for its two creators, Kent and Kyle. One is an artist, the other a writer. On this site they combine their talents to see what happens. The purpose is to see where the imagination will go.

About the show:

“Written By / Illustrated By”
With the routine blogging well under their belts, Kent and Kyle have decided to take The Unlimited Freedom Castle to a new and different level: the gallery. This two man show will feature writing inspired by art, and art inspired by writing, very much in the way the blog functions. In addition to just showing their work, the viewer will have the opportunity to interact and contribute as well by either writing in reaction to Kent’s illustration, or illustrating in reaction to Kyle’s writing– or both. When the show comes down at the end of August, the viewers’ contributions will be published on The Unlimited Freedom Castle blog.

About The Unlimited Freedom Castle:

To find out more about The Unlimited Freedom Castle, why not head on over to the site? theunlimitedfreedomcastle.com

About ON Gallery:

ON Gallery is a new addition to the Everett Station Galleries.

ON Gallery is a project focussed on exploring the relationship between
art and technology by displaying technology and interactive media in a gallery setting.

ON Gallery is now seeking artists and collaborators to show 2d, 3d,
installation, videography, interaction, kinetic sculpture and other
artistic practices which are supported or informed by technology.
Please send proposals in pdf or plain text format to callforartists@ongallery.org


END OF PRESS RELEASE

We highly suggest you read this…seriously.

EXT. BAR PARKING LOT - NIGHT

The parking lot is almost empty and lit with streetlamps that shine pools of light on faded white parking-space lines. It is only almost empty because there are two surly dudes with bulging biceps and veins popping out of their foreheads roaming the area. They are drunk, and carry aluminum baseball bats. Obviously.

SURLY DUDE #1: You think those guys are still in there?

SURLY DUDE #2: Which guys?

SURLY DUDE #1: The guys we’s gonna beat up. Kent and Kyle; you drunk bastard.

SURLY DUDE #2: Oh, yeah! I love beating people up. Especially with baseball bats. There is probably nothing I enjoy more!

SURLY DUDE #1: I plan on punching one of them. That will be AWESOME.

SURLY DUDE #2: So, I’m all into this, don’t get me wrong, but why are we beating their skulls in again?

SURLY DUDE #1: BECAUSE THEY NEVER POST ANYTHING ON THEIR WEBSITE ANYMORE! GAHHH!!! IT MAKES ME SO FRUSTRATED.

At that moment, Kent and Kyle walk out of the bar, unaware that the two surly dudes in front of them are ready to give them a skull bashing.

SURLY DUDE #1: THERE THEY ARE. LET’S DO THIS THING!

Kent and Kyle look at each other, with cartoon eyes popping out of their heads.

The surly dudes run towards them, wielding their bats high in the air.

Kent and Kyle scream.

KENT: WAIT!

KYLE: STOP! WHAT DO YOU WANT?!

SURLY DUDE #1: We want you to post more often on your collaborative blog, The Unlimited Freedom Castle!

SURLY DUDE #2: YEAH! DO IT…OR DIE!

KENT (apologetic): Hold on, guys. Really we’re sorry.

The dudes slow down and lower their weapons.

KYLE: Honestly. It’s not that we haven’t been working on stuff. No, we’ve actually been busy doing TUFC - but it’s going to be live action.

SURLY DUDE #1: Huh? That doesn’t make sense.

KENT: What Kyle means is that we’re going to be apart of a gallery show at the beginning of August. We’re working on the pieces that will be displayed there, and planning just how the exhibit is going to look.

KYLE: Yeah, we’re really excited about it; our exhibit is going to be interactive!

KENT: The viewer/audience will actually have a chance to participate in The Unlimited Freedom Castle collaboration!

SURLY DUDE #2: Again, we’re confused. How will that be possible.

KYLE: We’re glad you asked. There will be two “inspiration pieces” (one written, one illustrated), and the audience will have their own pieces of paper to write or draw on, hopefully “inspired” by the pieces Kent and I have put up.

KENT: Any and all collaborations will be placed online for the rest of the world to see!

SURLY DUDE #1: Woah. That just blew my mind.

KYLE: Thanks for the compliment.

KENT: Yeah, hey, the show is August 7th at the On Gallery: 321 NW 6th #101. Portland OR. 97209. You guys wanna come?

SURLY DUDES (together): AWESOME! WE’LL BE THERE.

END SCENE.

So that’s our story, folks. Sorry for the lack of posts, but we hope you’re excited about the gallery. We know most of you aren’t in Portland, but we’ll be displaying the gallery pieces on the site after the event.

Since it’s been over a week since the last post, we’re going to give you a sneak peek at one of the gallery pieces. There is a line excerpted from the written inspiration, and the unfinished sketch that goes along with it.

Thanks for sticking with us!

————

“Down there we’ll find some interesting things. Buried cities; treasure, maybe. Mostly the bones of the dead. Artifacts of what we long ago believed in.”

Illustration by Kent St. John

Illustration by Kent St. John

It Was in Her Eyes

It Was in Her Eyes

Bye, bye,
Said the man with the sad eyes.

He contemplated what his veins would feel like with ice flowing through them.

Waiting for the right moment had taken too long.
And now, with the love fleeing from his heart,
to his fingers,
to the thick-with-thought air,
he was mostly a ghost – or rather,
the opposite:
he was a body without a soul.

He said It felt like it was no one’s fault as he forecasted a future that set his life on fire, and cast her body into darkness. She used to play the piano, but now the piano was playing her. It was taking its cues from horror films, pounding hard on the low notes, and playing short, shrill, high A’s when it all settled down. It was incoherent and covered in spit. If she could have left the bench she would have wandered into a dirty hardware store, stolen a sledgehammer, and snuck up on the bastard thing and broken it into a million sharp pieces. She’d keep one of the black keys in her purse. These mementos are like tattoos for her, and she marks her life with them.

“Fierce” Illustration Friday Post #1

“Fierce” Illustration by Kent St. John

Hey everyone. Here’s my first entry for this week’s www.illustrationfriday.com topic; “fierce.” Hopefully many more entries to follow… at least that is the plan. The movie Amores Perros (directed by Alejandro González) came to mind right away. I’ve always thought of this film as being extremely “fierce” in every sense of the word.

-Kent

For those of you who may already frequent our blog, and are curious as to what Illustration Friday is exactly, read on brother:

Illustration Friday is a weekly creative outlet/participatory art exhibit for illustrators and artists of all skill levels. It was designed to challenge participants creatively. We believe that every person has a little creative bone in their body. Illustration Friday just gives a no-pressure, fun excuse to use it. No clients looking for a particular thing. No one judging the outcome of the work. It’s a chance to experiment and explore and play with visual art.

Hell was Hell was Hell: A Poem in Haiku

Back in the old days
Before the world got caught up
God was obvious

Hell was Hell was Hell
Now the spirits say “We’re stuck!”
Hell is here on earth

We look to the sky
Asking, “shall we repent, Lord?”
Without a reply

It used to breathe fire
But this smoke out our windows?
We did this ourselves

Hell was Hell was Hell

So You Woke Up And Now You Are A Bear

Beef Lettuce Wraps

So You Woke Up and Now You Are A Bear.

The morning begins as you awake from a dream. In this particular dream you were an animated bear, and you were really in to honey. You found this storage house that had pots and pots of honey, labeled (misspelled) as “hunny”, and right when you walked in this alarm went off and giant bees came from secret doors in the walls. It was a sting operation…

And then you woke up, a little baffled by the dream, but it wasn’t too far from normal so you let it go. That’s when you notice that your twin-size bed has collapsed. Okay, so you’ve been gaining a little weight, but you’ve never even heard it creak before. You start to think of what happened the night before. You went out with friends, had a few drinks, just a typical night…or…no…Steve had everyone over to his place after the bar and there were these two new guys…Jonesy and Hard Hat. Hard Hat was this burly guy, with a moustache and a tattoo of Thomas Jefferson doing a line of coke of the Declaration of Independence on his back. He showed it to you, and even though he got it like 7 years ago he still thought it was the funniest thing ever, and when Hard Hat laughed, apparently you had to laugh because that’s what Steve told you to do.

After Hard Hat put his shirt back on, Jonesy pulled out this bottle of pills from his man purse and poured some onto the table, next to the nachos and dip that they had brought. He had cut a pill in half, and then gave you both halves, and you thought that was weird, because why not just take a whole pill? You asked why, and he just said, “because, that’s how the natives do it man”. Again, that was pretty weird, because natives usually smoke things, and they don’t take pills, but who were you to judge the natives? So, there you were, dipping over-cheesy chips into an avocado dip (which was just fantastic), drunk to the point where Carlos Mencia was funny, and holding two halves of the same purplish pill. The only thing you remember before you blacked out was, “Dude, just a warning: you might turn into a bear. Don’t say I didn’t warn you”.

So, remembering all this, you sit upright, and look down at yourself. Where your hands used to be are giant paws with five non-retractile claws. Your entire body is covered in shaggy, brown hair. You look down where your nose should be and you have a large snout. All signs point to that fact that…

You are a bear. A big one.

You turn to your full length mirror, knocking over your desk and chair with your massive hind legs, and indeed the mirror confirms that you are no longer human.

Well, you can’t say he didn’t warn you. Yes, you could spend all day pissed off at yourself for taking those pills, but its best to leave the past in the past. Instead of focusing on the negative, you should head on down to the grocery store and steal yourself the biggest bucket of honey you can find. You’re a bear now. Deal with it.

Crooked Creek, Entry #4

Click the tab above labeled “Crooked Creek: A Continuing Story” to get caught up with this ongoing saga.

After running, straight-out for three miles, Conrad stopped to catch his ever-escaping breath. He had passed a line of trees and he could no longer see the outline of his home. He smiled to himself; for the moment he had forgotten exactly why he was running, and was excited by how far he’d made it without stopping. He hunched over with his hands on his knees, winded.

Inches from his face, protruding from the ground was an ant-hill, whirling with the tiny footsteps of its inhabitants. His smile grew wider. A line of ants carrying pieces of a fallen apple were making their way to the gaping entrance to the hive. He let out a laugh – the ants were so tiny; how could they carry these chunks of apple that were bigger than they were? As they disappeared into their home, Conrad’s eyes darted to the bottom of the hill again. This time, there were two large ants carrying another ant. They moved slowly – with a careful stride that their apple-moving peers had lacked. He saw that the transported ant was dead, with a gash in his thorax and missing two legs. His ant-brothers in arms were bringing him home in solemnity it seemed; perhaps reciting silent prayers, or constructing Formicidae eulogies in their heads. Conrad smashed the three with his boot, and set off running again.

Back at the bend of Crooked Creek where Buddy Anderson’s dead body lay, nothing was happening. The birds still chirped, the wind was blowing, and the insects weren’t on him yet. His parents would look for him soon, but until then his body would be kept fresh by the breeze. The blood in his arms was still fluid, but unmoving.

As the day began to grow dark, Conrad Christopher was looking over his shoulder roughly every other step. He had convinced himself now that he was being chased or hunted. Although no one had seen what happened to Buddy Anderson, in Conrad’s mind everyone would know. He had not yet come to realize that his thoughts were confined to his head, and not broadcast on a signal that was picked up by radio stations. He assumed his mother could read his mind, but he was just a terrible liar – his ticks and sweaty palms gave him away.

It wasn’t long before he came to a fence. It was a climbable fence, with an electric wire, but nevertheless a climbable fence. Conrad was familiar with electric fences. He had been tricked into grabbing ahold of the charged wire on the Anderson’s property a few years before, and he felt that same sting as he stared down this new fence. He cringed and paced with an anger that had surprisingly only just now entered his body. The weight of his situation had finally found him, and he was overwhelmed. The energy flowing through him was a pure rush of frustration – the sort of thing that a caged animal resorts to when it realizes the walls around it are real and immovable.

Conrad began his fit.

He raged and swung his arms like out of control bullwhips, slashing at the air. He pulled at his hair and screamed, muffling his cries as he shoved a fist into his mouth and bit down, blood trickling from the backs of his hands. In an instant he was on the ground, pulling at the grass and weeds, slapping at the dirt, and pounding his spit and tears into it. He slapped himself in the face, and gritted, pulsing, fuming “why, you stupid fuck? You fucking retard.” His chest was a malfunctioning puffer-fish; inflating and deflating almost instantaneously. The sounds coming from his throat were raspy and grating; a mucus fueled gravel that had scared his mother in similar episodes. On the ground, out of adrenaline and gasping for breath, he stared at the fence. Behind it the moon was a see-through white disc on the hazy horizon. Conrad Christopher picked himself up off the ground he had attempted to destroy, and, shaking his foal legs, coiling them for release, he sprinted towards the fence in a glide, using his left foot as a spring board he leapt for the second rung of the wooden boards, just above his electric enemy, and as he found his footing he swung his other leg to the top and bounded over to the other side. It was a distinctly new form of grace, but he did not dwell on it. His eyes on the horizon, he ran towards the moon.

Click on the image to view it full-size.

Conrad Christopher’s Fit

Beards, Babies, and Beer.

Wielding the baby!

INT. LOCAL TAVERN - NIGHT

Dave and John sit at the bar, straddling their stools, and sipping cold Pabst. There is a commotion near one of the booths.

Dave: God dammit. I’m so sick of that guy.

John: Who?

Dave: That fucking wizard.

John: What are you talking about?

Dave: (Points emphatically at a wizard who, with his wizardry, is causing a sleeping baby to float in the air): Right there, that guy in the cloak. The fucking wizard. I can’t stand it!

John: Leave it alone, dude.

Dave: No. I won’t. I can’t! He comes in here, every Thursday, and just floats that baby around. The women go NUTS over him. Absolutely NUTS!

John: Good for him.

Dave: No! Come on, man! Don’t you see? Women go ga-ga for a crazy bald guy in a cloak with magical powers and that leaves NO CHANCE for the rest of us. I can’t compete with that!

John: Oh, come on. That’s not true.

Dave: What’s not true?

John: So, you’re saying, if you had to do it, if you’re life depended on it, you couldn’t float a baby?

Dave: What?

John: I’m asking you, if you were in a life or death situation, you don’t think you could cause a baby to levitate in mid-air?

Dave: No.

John: You’re not even thinking about it.

Dave: No, just…wait…what? That’s not even the point. The point is that this guy is just coming into OUR bars, stealing OUR women!

John: OUR bars? What are you? A southerner? A Nazi? The sign right there says “we welcome all to this establishment”.

Dave: This is messed up, man. You’re taking HIS side? The WIZARD?!

John: Look, all I’m saying is that you need to relax; stop worrying about that guy. He’s not hurting anyone, and besides, the floating babies trick is gonna get old, man. Women like FRESH and NEW. His schtick will be tired the next time we’re in here. I’ll bet money on it.

Dave: Alright, alright. Maybe you’re right. I mean, by this time last week he had a crowd of like 15 girls. This time there’s only 7.

John: See! He’s already been halved. It’s only a matter of time before you’re swimmin’ again.

The two turn to the bartender, and order up another round.

As the bartender hands them their drinks they notice the wizard is standing behind them with the baby still floating.

Wizard (in his low, almost Johnny Cash-ish, Southern accent): Hey, you guys want in on that over there?

The two look at each other, then back to the wizard with “are you talking to us?” faces.

Wizard: This whole floatin’ babies thing is taking a lot out of me.

John: You make it look easy, dude.

Wizard: Yeah, I know, man. But it takes so much goddamn concentration, I can’t focus on layin’ my game down.

Dave: That sucks.

John: Totally.

Wizard: So, whaddaya say I buy you fellas a shot o’ Jack, teach you the floatin’ baby gig, and we have some fun tonight?

Get your daily dose of sketchbook to keep the scurvy away!

Hey everyone. Kent here. I’m finally back from my wedding and honeymoon. For anyone who is wondering, it turned out perfectly…literally perfect. While on the honeymoon, I managed to pickup a copy of Robert Louis Stevenson’s Treasure Island, and read it while laying on the beach, etc. Naturally I had to start drawing some pirates. Watched a lot of Travel Channel as well, that’s why Andrew Zimmern makes an appearance in the third image down… however, I’m a much bigger fan of Anthony Bourdain.

It’s good to be back, and it’s good to get cranking on this here blog again. I hope all is well with you guys, thanks for staying tuned during my hiatus. Take care.

-Kent

Captn’ Silver

Jim’s view of the shipyard/dock

Bizzare Sketches - Andrew Zimern

Don Quixote and an angry man

Charles, the Lion Tamer

The other day I read that when Charles Manson was a young boy, his mother sold him to a waitress for a free pitcher of beer. I thought that was sad and funny, so I decided to write a scene about it. It definitely turned out more sad than funny, but because there is an extreme lack of Kent (and therefore lack of posts) I wanted to post it anyway.

Also, on a related note: KENT IS NOW MARRIED! Details to follow…

——————————

The setting is an almost deserted restaurant/bar on the outskirts of somewhereville. Date: unknown. It is night, and the establishment is dimly lit. Smoke hangs in the air, and has yellowed the walls. A few regulars wear denim jackets and smell of booze and sweat. There is one waitress and the coffee is always on; she doubles as the cook.

In a booth sits a 4-years old Charles Manson and his mother, Kathleen. Charles has a set of four crayons (red, blue, green, and black) with which he is coloring a children’s menu. With a beer in her hand, and one on a coaster, Kathleen reads a menu and pays no attention to her young son.

Over at the main counter our waitress, Billie Jean, is cleaning up spilled coffee as the regulars stare down the front of her shirt. She doesn’t even notice, or care, anymore. In her head she is dreaming of a child that she will never have. Toast pops out of the toaster behind her, but she lingers over the coffee for a second more - giving the people what they want. She likes to fill her day with small favors, its something that she can smile about when she tucks herself in to bed.

KATHLEEN: What are you colorin’, boy?

CHARLES: I draw’d a picture of me next to the lion. The circus made me the lion tamer.

Putting his red crayon down, Charles attempts to show his mother the drawing. Her eyes do not leave the menu as she takes a long swig of her beer. The glass empty she pounds it on the table, causing Charles to shift in his seat. He goes back to drawing.

KATHLEEN (to the room; boisterous): Can we get some help over here?

One of the regulars turns to her and shakes his head. Billie Jean perks up, slightly annoyed, and makes her way to the table. She has a pad of paper and a pen in her hand, like a waitress should. Without looking up, she blows her bangs out of her eyes.

BILLIE JEAN (groggy): What can I get fer ya?

KATHLEEN: ‘Nother draft, that’s fer sure. …And, this jalapeno burger I see here. Hot, is it?

BILLIE JEAN (still looking down): That’s what the jalapeno’s is for; never had one myself, so I can’t vouch fer it.

KATHLEEN: Yeah, I’ll take that. Put some Lawry’s on them fries - lots.

BILLIE JEAN: Sure.

Billie turns to go back to the counter, but Charles lets out a muffled peep calling for attention. She stops and does an about face to see Charles sticking his neck out so that he is as tall as possible in the booth. He fidgets with the crayons. Her eyes light up and she beams at him.

BILLIE JEAN (with delight): Well, I’m sorry, Little Mister. What’ll you be havin’?

CHARLES: The circus told me I should have the hot dog.

BILLIE JEAN: Oohh, the Hot Dog. A good choice.

KATHLEEN: The only choice.

BILLIE JEAN: What’s your name, Little Mister?

CHARLES: Charles, but also the Lion Tamer.

BILLIE JEAN: Charles, huh? That’s a lovely name.

CHARLES: Bah, its not good enough for me.

BILLIE JEAN: Oh, really?

KATHLEEN: You shut your mouth, Charles. You’ll take the name that your mother gave to you, and you’ll like it.

Charles recedes into the booth, and looks at his shoes.

CHARLES: Sorry, mom.

Silence.

BILLIE JEAN: I wish I had a boy named Charles.

CHARLES: Really?

BILLIE JEAN: Yes. Yes, I do. I can’t have a baby. God made me incapable. It’s not my lot in life.

KATHLEEN (getting surly): Well, boo hoo. You can have Charles if you want.

Billie Jean and Charles both turn to Kathleen. They seem confused.

BILLIE JEAN: What?

KATHLEEN: You heard me. You can have him if you want. It’ll cost ya, though.

BILLIE JEAN: Ma’am, what are you tryin’ to say? That Charles, here, is for sale?

KATHLEEN: A pitcher. A pitcher is all it’ll cost ya. Take ‘im. Fucker’s a runt anyways. Eats too many hot dogs, and wets the bed.

Charles squirms and hides under his menu. The regulars shake their heads in unison at the bar. And even though she knows she shouldn’t, Billie Jean smiles. She has always wanted a child, and although she never pictured buying one in exchange for a pitcher of beer, she feels like she can’t let this opportunity go by. Her head swirls with bright blue skies, but Charles begins to cry.

KATHLEEN: It’s true. He don’t know the difference between the pisser and a pillow.

BILLIE JEAN: Well, I don’t mind. I’m sure all little boys have trouble with that, Charles. It’s okay.

KATHLEEN: So, you really want him? ‘Cause if you do, fill up the pitcher. His birth certificate’s in the glove box.

Instead of replying, Billie Jean skips her way to the bar, fills a pitcher, and is back at the table in an instant.

KATHLEEN: Slap me twice and call me Martha! I didn’t think you’d take me up on it.

Kathleen downs her half-full pint, and slams it on the table like she did with the first. She is full of alcohol and satisfaction. Charles is still quietly crying in the booth when she slaps the menu out of his hands, and puts him on the table.

KATHLEEN: He’s all yours, lady.

Billie Jean puts her hand for Charles to hold.

BILLIE JEAN: Come on, Charles-y. Let’s go get you a grilled cheese sandwich.

Reluctantly, Charles grabs her hand, jumps down from the table, and follows her behind the counter and into the kitchen.